October 2, 2020

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I suppose the one upside of 2020 is being able to virtually attend events I never would have been able to experience before. Major case in point: The Pordenone Silent Film Festival in northern Italy. For €9.90, approximately 1% the price of a plane ticket to Italy, I secured a ticket to watch 13 silent features and shorts programs.

September 16, 2020

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Following suit with all other major festivals the past six months, Cinecon 2020 was all virtual this year. While I missed watching classic movies for hours on end from the balcony of the Egyptian Theater, I am thankful the Cinecon team was still able to bring fans together in the spirit of rare and underappreciated cinema.

September 1, 2020

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Like most film festivals this year, Cinecon 2020 looks a little different. In vast contrast to a usual five-day packed cinema spree, this year’s condensed online edition takes place across three days, screening about four-five hours of content each day. (As much as I love classic films and festivals, I must say this is more my speed right now.)

August 10, 2020

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In early 2018, a post in a classic film Facebook group I’m part of announced that Barbara Stanwyck’s former home, Marwyck, would be open for tours right before TCMFF. I knew Stanwyck lived in the San Fernando Valley in the late 1930s, but I had no idea her house still stood – or was a registered landmark!

April 24, 2020

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Classic movie fans were crushed with the news on March 12 that the traditional TCMFF festival was cancelled. But being TCM, I had a feeling they wouldn’t just let those dates come and go without doing anything. So, as per usual, TCM went above and beyond to come up a Plan B: A Special Home Edition of the fest to take place on-air and virtually.

April 2, 2020

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As fans know by now, the 2020 TCM Classic Film Festival was cancelled due to the coronavirus pandemic. A hard but necessary choice for sure, but the fest’s cancellation meant much more than missing out on a long weekend of movies.

March 19, 2020

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I had grand plans for Noir City Hollywood 22. Though a few advance scheduling conflicts stood in the way, for the most part my calendar was crowded with film noir screenings for about a week straight.

Until it wasn’t.

February 24, 2020

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This year, Noir City Hollywood is going all out – and international! In the past, fans were usually treated to two movies per night across the 10-day extravaganza, sometimes with a triple or quadruple feature throw in for max noir effect. But this year’s calendar blows that out of the water.

December 18, 2019

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Cinecon bestowed their esteemed Legacy Award to three actresses at this year’s festival: Ann Robinson, Gigi Perreau and Barbara Rush. I had the grand opportunity to be present for all three awards and Q&As, two of which I’ve already covered, Robinson's and Perreau's. That leaves Rush.

November 19, 2019

If I could listen to one classic film star tell me stories for a day, it would be Ann Robinson, who was one of three recipients of the Cinecon Legacy Award at this year’s Cinecon Classic Film Festival. I’ve heard her speak a few times before, interviewed her on the TCMFF red carpet, and I would now like to be her best friend, please.

October 18, 2019

This past September, Gigi Perreau was honored with the 2019 Cinecon Legacy Award along with Ann Robinson and Barbara Rush. 

Cinecon programmed Perreau’s 1950 film For Heaven’s Sake to pay tribute to the actress, a quirky comedy I had never heard of before.

September 13, 2019

This year, I had the opportunity to attend all five days of Cinecon, which is always exhilarating... and very tiring.

 

Last week I shared my recap of the first two days, which you can read here. Now it's time to wrap this review up with the final three days of the fest, Saturday-Monday.

September 5, 2019

Cinecon Classic Film Festival #55 hit two milestones this year: They celebrated 30 consecutive years in LA (prior to that the locations varied) and their 20th anniversary at the American Cinematheque. I’m always amazed at how five days of nonstop cinema race by so fast. My personal schedule for the fest this year was extremely ambitious. How’d I do? Well...

August 19, 2019

Labor Day weekend is almost upon us, and in the classic movie world, that signals one thing: Cinecon! For the last two years, out of town weddings have prohibited my full attendance at the fest, but this year I am FREE! (Well, save for work on Friday.) Cinecon 55 will present 46 programs, with many of the films projected on 35mm. I’ve only heard of about 5 of those selections, which is roughly 10%.

August 1, 2019

The Cinecon Classic Film Festival returns to Hollywood August 29 through September 2 with close to 50 rare shorts and features, special celebrity guests, and an outstanding memorabilia show.

I had the chance to ask Cinecon President Stan Taffel a few questions about the festival as they gear up for another exciting year celebrating unusual and overlooked classic movies.

June 28, 2019

The Bad Seed is one of the earliest classic films I saw. So, as you can imagine, a huge thrill of TCMFF 2019 was talking to the star herself, Patty McCormack, on the red carpet. Heck, I even had the chance to tell her about the time my friend dressed as her character from The Bad Seed for Halloween! I unfortunately didn’t make the poolside screening, but I did swing by for McCormack’s conversation with Eddie Muller beforehand. Below are some highlights from what I caught.

May 10, 2019

For the 4th (!) year in a row, I had the privilege of covering the red carpet at the opening night of TCMFF. While it’s always an honor to speak with the festival’s special guests, the occasion this year was particularly meaningful because 2019 marks the 10th year of the festival and the 25th anniversary of TCM; though I haven’t been a fan of TCM all 25 years (I was a child when the network debuted, so I get a pass), I’m a proud TCMFF 10-time attendee.

April 23, 2019

I woke up Sunday not believing it was the final day of TCMFF. Seriously, how can 60 hours fly by so fast? This morning presented a big decision: Holiday (1938), one of my gateways to classic film, or Mad Love (1935), which I’ve never seen before. Mad Love it was! Luckily, I took another glance at the schedule before leaving my apartment and noticed the movie was playing at the Egyptian, which was a good call, because the theater was packed.

April 20, 2019

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Less than six hours of sleep on Friday night didn’t stop me from jumping out of bed early to hit the road for Saturday’s packed day of programming! I made it in plenty of time to catch When Worlds Collide, a 1951 sci-fi flick I thought I hadn’t seen before. (The jury’s still out—the spaceship looked very familiar, but this is a 1950s science fiction picture we’re talking about.) 

April 18, 2019

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I had a full schedule Friday and tried to hit the ground running, but that didn’t quite happen. Somehow, I thought it would be acceptable to roll up to a 9am pre-Code (1932’s Merrily We Go to Hell) at about 8:20 but... no. I knew it was going to present a difficulty when I woke up at 7:20, looked at Twitter, and found that people were in line before 7am.

April 16, 2019

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Though I spend weeks preparing for TCM's Classic Film Festival, it always seems to rush in like a cinematic tornado—sweeping in quickly and catching all us film fans up in 3.5 days of movie madness, just to drop us back in the real world on Monday, which is where I am right now. Click below for a recap of the first day of TCMFF #10.

April 10, 2019

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One of the two movies playing for TCMFF’s late-night crowd this year is 1961’s Santo contra el cerebro del mal (Santo vs. the Evil Brain). TCM has brought in two special guests for this screening, film archivists/restorationists Viviana Garcia Besne and Peter Conheim, both of whom worked to restore the movie. I had the opportunity to ask Besne some questions, not only about this film and the Santo series, but also about the archive she founded, Permanencia Voluntaria.

March 28, 2019

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We’re almost there—in just 14 days, TCMFF’s 10th anniversary will be upon us! The full festival schedule was unleashed last week, and as per usual, since then attendees have been feverishly plotting their plan(s) of attack. The network has some fantastic programming in store for this milestone event, and it’s always an exhilarating/nerve-wracking/melodramatic/sorrowful endeavor putting together a schedule. So with that, below are my picks for TCMFF 2019—plus an extra title or two for every time slot. My guess is that it's 59% likely I'll stick to these selections, as goes the fest! 

March 18, 2019

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Noir City Hollywood is finally of age! In honor of their 21st year, the fest continues a theme they’ve celebrated previously, showcasing A and B films released in the same year—this time focusing on the 1950s. The program features a hearty mix of very well-known pictures (that I haven’t yet watched) and a handful of new-to-me rarities, which I always love. That said, below is my preview of Noir City Hollywood 21!

March 11, 2019

Besides the incredible guests TCM assembles for each film festival, my favorite moments are the exceptional programs they bring to Hollywood. As we inch closer to TCMFF #10, below is a list of my top 10 favorite TCMFF special presentations from years past.

February 27, 2019

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And just like that, UCLA Film and Television Archive’s Festival of Preservation is over. Attendees were treated to a marathon of 23 blocks of programming across a three-day span, and while my body generally rebels against epic day-long film events like this, I was pleased to attend nine screenings. Click below to read my highlights from the fest.

February 18, 2019

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Over the past nine years, I’ve had the opportunity to engage with TCMFF from a number of different angles: I volunteered in 2010 and 2013, accessed the fest through the standby line from 2010-2014, worked as a Social Producer in 2015 and 2016, and attended as a member of the media in 2017 and 2018. As TCMFF #10 looms on the horizon, I thought I’d share more about these rich and varied festival experiences.

January 28, 2019

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Every other year, the UCLA Film and Television Archive presents the Festival of Preservation, and every other year, I eagerly wait for UCLA to unveil the lineup. 

 

In years past, the Festival of Preservation has spread over the month of March. That said, this year I was both surprised and relieved to read that the event would take place over a weekend in February… until I saw the schedule, and my relief morphed into slight apprehension. 

January 11, 2019

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In honor of TCM Classic Film Festival’s 10th anniversary this April, I thought I’d share my favorite experience from each of the nine events I’ve attended so far. As you’ll see, my TCMFF adventures have ranged based on the type of access I’ve had, from volunteer and standby line-attempter to Social Producer and Media passholder. I’ll be writing another article covering the different capacities from which I’ve enjoyed TCMFF, but for now, here are my most memorable fest moments from 2010-2018.

December 28, 2018

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For the past eight years, I worked for Stan Lee. Stan (beat) Lee, I'd repeat, when inevitably asked "Stanley who?" I rarely revealed who my boss was when meeting new folks; that fact was usually unveiled by a well-meaning friend. 

As I’ve mentioned in previous articles about Stan that have been posted elsewhere, he and I shared a love of classic movies. I relished chatting with him on the subject, and it was a special connection to me because so few people engaged him on the topic. 

November 7, 2018

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Welcome to part 2 of my Noir City Hollywood 20 recap!

 

Two weeks ago I covered the movies I thought were fine and dandy. Now comes the ultra-fun part: This week I’m re-visiting the inexplicable/weird/wacky selections. And they didn’t disappoint.

November 17, 2020

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The 39th annual Pordenone Silent Film Festival wrapped last month. This year’s virtual proceedings allowed spectators from around the globe to watch and participate in the prestigious Italian fest’s online events for the low price of €9.90, aka the deal of a lifetime. So naturally, I hopped on board!

thanks for stopping by!

I See a Dark Theater is a website dedicated to classic movie-going—and loving—in the City of Angels. Whether it's coverage on screenings, special presentations, or Q&As around Los Angeles that you're looking for, or commentary on the wonderful and sometimes wacky world of classic cinema, you've come to the right place for a variety of pieces written with zeal, awe, and (occasionally) wit. Enjoy.

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